Christopher Holliday is Senior Lecturer in Liberal Arts and Visual Cultures Education at King’s College London (UK). Alexander Sergeant is a Lecturer in Digital Media Production at the University of Westminster (UK), specialising in the history and theory of fantasy cinema. Each episode, they look in detail at a film or television show, taking listeners on a journey through the intersection between fantasy cinema and the medium of animation.
Episodes
Sunday Feb 13, 2022
Lady and the Tramp (1955)
Sunday Feb 13, 2022
Sunday Feb 13, 2022
Tuck in for some Valentine’s Day spaghetti and meatballs as Chris and Alex chew on Walt Disney’s celebrated cel-animated love story Lady and the Tramp (Clyde Geronimi, Wilfred Jackson & Hamilton Luske, 1955), a musical romance released in the mid-1950s and based on the 1945 Cosmopolitan magazine story “Happy Dan, The Cynical Dog” by Ward Greene. The studio’s first CinemaScope release and a film that coincided with the opening of Disneyland in California, Lady and Tramp is rife with context and offers a number of threads that speak to the landscape of Disney animation in the 1950s. Listen as discussion turns to the collision in Lady and the Tramp between a refined vs. rough animated style embodied by the film’s eponymous characters; its complex anthropomorphic register, and how the film’s many canine performances negotiate the meeting point of humanity with the animal through racial politics; caricature and the grotesque within character design, and the silhouetted and symbolic representation of affluence, class, wealth, power, and normalcy; connections between Disney’s feature and the Mammy Two Shoes figure from Tom & Jerry; the star voice of Peggy Lee and traditions of animated voicework; and how Lady and the Tramp reflects on the possible ‘threat’ of children in suburban America as part of its subversive and radical agenda. Bella Notte!
**Fantasy/Animation theme tune composed by Francisca Araujo**
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