Fantasy/Animation

Space Ghost Coast to Coast (1994-2008) (with Jacqueline Ristola)

In Episode 168 of the podcast, Chris and Alex are delighted to be joined by Dr Jacqueline Ristola, Lecturer in the Department of Film and Television at the University of Bristol, to discuss the Cartoon Network’s adult live-action/animated talkshow parody Space Ghost Coast to Coast (Mike Lazzo, 1994-2008). With research areas including animation, anime studies, media industry studies, and queer representation, Jacqueline is the ideal guest to introduce listeners to the surrealist tone, irreverent comedy, and generic subversions of Space Ghost, with a focus in this instalment on the specific episodes “Sleeper” (S2E7) (1995), “Rehearsal” (S4E1) (1997), and “Fire Ant” (S6E6) (1999). Listen as they discuss Space Ghost’s carnival qualities and the role of fantasy-as-critique; media conglomeration, the U.S. talk show wars, and Adult Swim; the labour of cut-and-paste and limited animation as a stylistic advantage; and how the meta-commentary of Space Ghost represents an abrasive challenge to the flow and form of conventional television animation.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Footnote #73 - Rotoscoping

Footnote 73 looks at animation’s historical relationship to the body and how physicality was transcribed via the rotoscoping process as part of the construction of the earliest animated characters. From the Fleischer Studios pioneering the technology for use in their Out of the Inkwell series of shorts (1918–1927) and later feature films Gulliver's Travels (David Fleischer, 1939), and Mr. Bug Goes to Town (Dave Fleischer, 1941), through to Bob Sabiston’s digital homage to rotoscoping when developing the Rotoshop tool during the 1990s, this episode has Chris take Alex through the mechanics of projecting performances onto glass to be traced by the animators to craft their animated performances. Topics include what the rotoscope contributed to animation’s hyper-realist aesthetic and the specific desire for naturalism at Disney; rotoscoping’s connection to both the Rotoshop and contemporary motion capture techniques; and how the rotoscope negotiates the uncanny, haunting presence of the human beneath the image.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

AI and Animation (with Mihaela Mihailova)

The creative - and highly controversial - relationship between animation and artificial intelligence provides the focus of Episode 167 of the Fantasy/Animation podcast, which features as its special guest Dr Mihaela Mihailova, an Assistant Professor in the School of Cinema at San Francisco State University. Mihaela is the editor of Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft (Bloomsbury, 2021), whose work has also appeared in the Journal of Cinema and Media Studies, The Velvet Light Trap, Journal of Japanese and Korean Cinema, Convergence: The International Journal of Research into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, and [in]Transition. She has contributed to Animating Film Theory (with John MacKay), The Oxford Handbook of the Disney Musical, Animated Landscapes: History, Form, and Function, The Animation Studies Reader, and Drawn from Life: Issues and Themes in Animated Documentary Cinema, and was editor of the recent “AI and the Moving Image” dossier published in the Journal of Cinema and Media Studies. She is currently co-editor of Animation Studies and serves as co-President of the Society for Animation Studies. Listen as Mihaela introduces Chris and Alex to the AI-generated short films Generation (2022), PLSTC (2022), Bruegel the Younger (2022), and Dissolution (2023) as a backdrop to thinking about the trajectory of machine learning in relation to animated imagery and creative practice; the aesthetics and implications for labour prompted by AI as both an assistive and generative tool; the discourses of technophilia and technophobia that surround contemporary synthetic media; and what impact the ‘open secret’ of AI might have within the animation industry beyond some of its current applications.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Footnote #72 - The Hero's Journey

Building on their recent podcast episode on Kung Fu Panda (John Stevenson & Mark Osborne, 2008) with screenwriter John Yorke, Alex takes Chris through the mechanics and mysteries involved in the hero’s journey, Joseph Campbell’s famous structure and patterning of narrative, to discuss how such storytelling archetypes link to Jungian approaches towards the process of character individuation. Topics include the big-screen reworkings of the hero’s journey and its industry function as a screenwriting template; theorisations of form and formalist frameworks for understanding narrative organisation; Campbell’s interests in the traces of our unconscious mind as found in collective archetypes that surround culture; and the way that the formula for heroic action and its calls to adventure can and do work within the creative spaces of fantasy.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Kung Fu Panda (2008) (with John Yorke)

Episode 166 of the Fantasy/Animation podcast high kicks its way into the world of DreamWorks’ successful Kung Fu Panda franchise (2008-) with this look at the series’ first big-screen instalment, Kung Fu Panda (John Stevenson & Mark Osborne, 2008), with very special guest John Yorke. John is a television producer, screenwriter, editor, and author, who was Head of Channel 4 Drama (2003–2005), controller of BBC drama production (2006–2012) where he founded the BBC Writers Academy, and more recently managing director of Company Pictures (2013–2015). He is now teaching screenwriting via his own company, John Yorke Story, and is the author of Into the Woods: How Stories Work and Why We Tell Them (Penguin, 2014) and Trip to the Moon: Understanding the True Power of Story (Penguin, 2026). Topics include the tension between showing and telling that underpins the character development of Kung Fu Panda’s protagonist Po (Jack Black); story as central to the film’s effectiveness as a martial arts animated comedy and the spectacle of the animated body in physicalising certain narrative beats; storytelling within a commercial animation context and how the medium’s narrative strategies are enabled by animation as an industrial art form; and how Kung Fu Panda functions as a popular fantasy film merging Chinese with American cultural concerns yet remains indebted to longstanding folkloric structures of narrative.

This podcast is sponsored by the project “UK-China Animation: Co-Creating Research and Knowledge Exchange,” led by the University of Nottingham and funded by the British Council through an award from its Going Global Partnerships programme, which builds stronger, more inclusive, internationally connected higher education and Technical and Vocational Education and Training systems (TVET).

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Footnote #71 - Synthespians

Listen as the brand new Fantasy/Animation Footnote tackles the complexities and contradictions of digital performance and cyber stardom via this discussion of synthespians, a term very much anchored to early-2000s concerns around the future of acting, agency, and authenticity whose popularisation was largely prompted by the rise of motion capture and other forms of computerised intervention. In this latest instalment, Chris takes Alex through the origins of (and key discourses surrounding) the cyberstar and the broader entertainment industry’s increased turn towards the creative possibilities of the “synthetic thespian”; how scholars have grappled with the divergent forms of labour and performance styles engendered by CG avatars, proxies, and digital doppelgängers; the role of celebrities in mediating shifts between old and new media, including the stakes of newer star-centred forms of digital replication; and the growing anxieties surfacing in late-2025 regarding the arrival of synthespian ‘Tilly Norwood’ and what artificial intelligence and machine learning might now mean for the next phase in digital cyberstardom.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

**As featured on MillionPodcast’s Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

Wicked: For Good (2025)

Just as it did to kick off 2025, the Fantasy/Animation podcast returns once again following the festive break to celebrate the New Year with another visit to Oz, with Chris and Alex reflecting on movie musical Wicked: For Good (John M. Chu, 2025) that as with the first instalment released in 2024 discussed a year ago adapts Stephen Schwartz’s successful 2003 theatre production. Topics for this first episode of 2026 include Wicked: For Good’s heightened reflexivity around performance, deception, and the power of illusions that take place in front of and behind the curtain; Elphaba’s political radicalism vs. the pragmatism of Glinda; necropolitical action and the film’s targeting of who gets to live and who must die; ‘wickedness’ and the emptiness (and reclaiming) of language; and where Wicked: For Good succeeds - and ultimately fails - as it seeks to find its own narrative in the intriguing ellipses of the Oz lore.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

The Polar Express (2004)

The Fantasy/Animation Christmas special pulls into the proverbial station with this look at The Polar Express (Robert Zemeckis, 2004), a computer-animated adaptation of the 1985 children’s book by Chris Van Allsburg and a film noted for its pioneering - if at times highly uncanny - application of motion capture technology as it portrays the magic of Christmas Eve through a young boy as he journeys to the North Pole. Topics for Chris and Alex in this episode include the state of computer graphics in the early-2000s and the emergence of the cyberstar; motion capture performance and the mechanics of virtual stardom; simulation, belief, time, and the digital long-take; strategies of narration and metaleptic transgressions between the world of the telling and the world of the told; fantasy and agency embodied through Tom Hanks as he inhabits multiple roles on- and off-screen; and how The Polar Express offers audiences a festive spectacular defined by the same shifting registers of fantasy that have shaped screen representations of Christmas and the magic of what it means to believe. Happy holidays!

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #70 - Pantomime

Sound, performance, and the body come together in this Footnote episode discussing pantomime as an entertainment spectacle, as Chris and Alex seek to map the possible connections between pantomime as a popular theatrical tradition emerging in the 17th century and both animation’s own technologies and representations and legacies of fantasy. Topics include classical antiquity, gesture, and choric dramas; European precursors like commedia dell’arte and féerie stories; the invested interest by early animation scholarship in the medium’s multiple genealogies and the role of pantomime in defining animated points of origin; and how the self-reflexive staging and gestures of pantomime came to influence the different visual and comedy stylings of cartoon storytelling.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Babes in Toyland (1934) (with Rob King)

Chris and Alex make their first foray into the world of Laurel and Hardy with this reflection on Babes in Toyland (Gus Meins and Charles Rogers, 1934), a film based loosely on the Mother Goose fairytale albeit with a few other nursery rhyme characters thrown in for good measure, all supported by the iconicity of Laurel and Hardy and the duo’s particular brand of slapstick comedy. Joining them to separate their Tom-Tom Piper from their Bo Peep is Rob King, Professor of Film at Columbia University and a film historian who has written wildly on American genre cinema, popular culture, and cultural history with a particular emphasis on silent-era stardom and comedy. Topics for Episode 163 include Laurel and Hardy’s starring role in smoothing out the transition from silent to sound cinema, and the early twentieth-century industrial importance of the slapstick genre; the sound of fantasy and the demise of the comedy short in Hollywood; the immersive worlds of childhood and the enchantment of drawings; toys, toyness, and child’s play; and what Babes in Toyland has to say about the emergence of consumer culture through its pointed citation of Mickey Mouse.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**