Fantasy/Animation

Footnote #36 - Horror Cinema (with Stacey Abbott)

What is horror cinema, and where did it come from? What are its unsettling spectatorial effects and uncomfortable provocations? What codes and conventions define its big screen history, and at which points does it splinter into slasher sub-genres and monstrous cycles? What role does the gothic and supernatural play in its generic construction? And how does the body as both threat and as threatened play into horror’s fascination with the impacts of difference and otherness? Answers to all these questions and more feature in this spooky Footnote episode on Horror Cinema with special guest Professor Stacey Abbott, incoming Professor of Film at Northumbria University and an expert in histories of gothic and horror in film and television.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

ParaNorman (2012) (with Stacey Abbott)

As Halloween rolls around once more, things take a positively spooky turn as Chris and Alex discuss the stop-motion animated horror film ParaNorman (Sam Fell & Chris Butler, 2012) with very special guest Professor Stacey Abbott, who is incoming Professor of Film at Northumbria University and an expert in histories of gothic and horror in film and television. Topics for this discussion include the role of horror cinema in processing trauma, including the special case of children’s horror that is both with and for children; horror as a series of embodiments and the broader question of body genres; links between ParaNorman and Frankenweenie (Tim Burton, 2012) in the creation of juvenile outsiderdom; the troublesom entanglement of digital effects with stop-motion aesthetics; why horror might work best when connected to the materiality of object animation; and how ParaNorman is a film that reflexively recognises the many pleasures of horror for children.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #35 - Twice Told Tales

Chris and Alex return to the Footnote format for this latest episode on “twice told tales” - a term that, following its Shakespearean origins, has been applied by writers of fantasy to refer to fantasy’s relationship to oral literature and fairytales. Topics include the fairytale’s codification of oral culture; legacies of literary structures and the power of (re)telling the beats of a story; shifting narrative templates and the act of adding one story ‘on top’ of another; and the spectatorial pleasure of receiving the fantasy of twice told creativity.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Cats (2019)

Chris and Alex return from their extended summer break with this discussion of the much-maligned musical Cats (Tom Hooper, 2019), a film whose reputation as a big-budget misjudgment has perhaps overwhelmed the intricacies of its uncanny constitution, and in particular how the narrative’s negotiation of its A-list performers speaks to the vexed question of actorly labour and agency in an age of heightened visual effects production. Listen as they wade through Cats’ unsettling feline character design and the integration of digital effects that build disconcerting bodies with multiple moving parts; theatricality and spontaneity in histories of the Hollywood musical; scale and the fantasy of space in director Tom Hooper’s execution of the film’s song-and-dance routines; editing choices and the presentation of blockbuster spectacle; and how the controversial digitised production of Cats taps into recent debates regarding the exploitation of the VFX sector and the many artists who build our CG-enhanced screen fantasies.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Fantasy/Animation - Announcement

A quick message about Fantasy/Animation's Summer Break, as well as ways that you can get in touch to support all things fantastical and animated. From listening back through our podcast archive and leaving us a quick review and star rating, to dropping us an email or sending in a blog post idea or submission ready for when we return, we would love to hear from you! In the meantime, have happy summers wherever you are and see you in October!

Footnote #34 - Science Fiction (with Mark Bould)

Chris and Alex are joined once more by Mark Bould, Professor of Film and Literature at the University of West England, for this Footnote episode that explores the origins and definitions of science-fiction storytelling. Expect turns to genre theory and the evolution of generic cycles, including the shifting ways that science fiction gets defined (and by whom); how science fiction moved from print magazines and paperback publishing to movie serials and the international and U.S. blockbuster; and the multimedia expansion of the genre that sits alongside the intensification of the study of science fiction into an academic discipline.

**Fantasy/Animation theme tune composed by Francisca Araujo**

Free Guy (2021) (with Mark Bould)

The Truman Show (Peter Weir, 1998) meets They Live (John Carpenter, 1988) in Shawn Levy’s science-fiction comedy Free Guy (2021), which marks the director’s first collaboration with charming Canadian Ryan Reynolds and is a film that confronts head-on contemporary anxieties around technology, choice, security, and artificial intelligence. Joining Chris and Alex to separate out their NPCs from their AI engines is Mark Bould, Professor of Film and Literature at the University of West England, and author of a number of books on the aesthetics, politics and philosophy of science-fiction storytelling. The focus of this episode of the podcast is on Free Guy’s engagement with the spectacle and industry of videogames, as well as questions of sentience, play, and hyper-distracted spectatorship; its representation of the internet, digital culture, and communications technologies; repetitious acts and the labour of gaming; and what the smartness of Levy’s film has to say about incremental freedom and better social relations via nods to the absurd normalising of gun culture in the U.S. and the damaging effects of toxic masculinity.

**Fantasy/Animation theme tune composed by Francisca Araujo**

Footnote #33 - Can Colour Blind People Work in VFX? (with Chris McKenna)

Special guest Chris McKenna, current Head of Creative Operations at the VFX studio Moving Picture Company, joins Chris and Alex for this latest Footnote episode on the VFX industry, with a particular focus on artists with colour blindness and advice on the best avenues for getting into animation lighting and design. From understanding the specific challenges of colour blindness for VFX artistry to the question of industry accessibility, the trio discuss the process of animation visualisation and what it means when animators struggle with distinguishing colour variations, matches, and palettes.

**Fantasy/Animation theme tune composed by Francisca Araujo**

Dumbo (2019) (with Chris McKenna)

The emergence of Disney’s so-called ‘live-action’ remakes provides the focus of Episode 123, with the recent adaptation of Dumbo (Tim Burton, 2019) offering Chris and Alex plenty to get their teeth into thanks to the film’s particular brand of digital realism as well as director Tim Burton’s reflections on the very nature of spectacle itself. Special guest for this discussion is Chris McKenna, current Head of Creative Operations at the VFX studio Moving Picture Company, and Lead Technical Animator on Dumbo who has also worked on a host of Hollywood blockbusters and franchise films, including Terminator: Genisys (Alan Taylor, 2015), Spectre (Sam Mendes, 2015), Transformers: The Last Knight (Michael Bay, 2017), Ad Astra (James Gray, 2019), Cats (Tom Hooper, 2019), and Disenchanted (Adam Shankman, 2022). Among his many credits, Chris has several of the Disney remakes and spin-offs on his CV too, from The Jungle Book (Jon Favreau, 2016), The Lion King (Jon Favreau, 2019), and Maleficent: Mistress of Evil (Joachim Rønning, 2019) to Lady and the Tramp (Charlie Bean, 2019) and the upcoming The Little Mermaid (Rob Marshall, 2023), where he worked as Head of Layout and Animation at MPC. Listen as the trio discuss the industrial workflow of VFX studio production, from the definition of “technical animation” to the question of simulation; how Dumbo reconciles Burton’s own “flavour” as a filmmaker with its broader ‘photorealistic caricature’ visual style; technological deterministic narratives of cinema and what it means for digital animation to copy lens-based media in these ‘live-action’ features; how Dumbo reflexively acknowledges histories of effects and photography in its construction of screen spectacle; and how when it comes to VFX artists creativity functions as an extension of passion.

**Fantasy/Animation theme tune composed by Francisca Araujo**

Footnote #32 - 3D (with Nick Jones)

Fresh from their discussion of Spider-Man: No Way Home (Jon Watts, 2021), Chris, Alex and special guest Dr Nick Jones (Senior Lecturer in Film, Television and Digital Culture, University of York) return for this short Footnote episode on the marvel and magic of 3D technology. Topics include cinema’s own history of size, space, and spectacle from the Lumière brothers to James Cameron; the kinds of depth cues offered by 3D cinema that extends perception beyond the real-world; technological innovation and 3D’s default narratives of extension and protrusion; and how understanding the history of film in three-dimensions perhaps gets us closer to seeing what cinema might actually be as a creative medium.

**Fantasy/Animation theme tune composed by Francisca Araujo**