Fantasy/Animation

The Lion, the Witch and the Wardrobe - Part 2 (with Nathalie Dupont)

Episode 148 concludes Fantasy/Animation’s two-part special focusing on C.S. Lewis’ The Chronicles of Narnia book series with this examination of the 2005 big-screen adaptation The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (Andrew Adamson, 2005), with special guest Dr Nathalie Dupont. Nathalie is Associate Professor in American Studies at the Université du Littoral Côte d’Opale (ULCO) in France, and is the author of Between Hollywood and Godlywood: The Case of Walden Media (Peter Lang, 2015), which focuses on the history of Walden Media - a unique American company financed by a conservative Christian and a producer of The Chronicles of Narnia big screen franchise. Topics in this instalment include the history of Walden Media and industrial definitions of ‘Godlywood’; the importance of Narnia’s wartime context and the influence of its evacuation narrative on the other-wordly drama of its hide-and-seek fantasy; links between Andrew Adamson’s adaptation and the post-Harry Potter and post-Lord of the Rings climate of contemporary Hollywood; and Narnia’s situating of children within the film’s complex set of relationships, arguments, and tensions.

Footnote #55 - Lewis' In Defence of the Fairytale (with Terry Lindvall)

Fantasy/Animation welcomes back special guest Professor Terry Lindvall to the podcast to continue the discussion of C.S. Lewis, this time with a focus on Lewis’ own work on fairy stories and the value the writer places on the importance of the ‘unexpected’ in fairytales as a mode of narration. Topics include Lewis’ professional history and views on the crafting of child curiosity within the literary imagination; how Lewis’ own students were directed to bring back enchantment via side stories and personal images of haunting; Lewis’ use of female characters, storytelling, and questions of empowerment; distinctions in worldbuilding and world creation between Lewis and J. R. R. Tolkien; and the qualities that make Lewis such a seminal writer of popular fantasy.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

The Lion, the Witch and the Wardrobe - Part 1 (with Terry Lindvall)

Episode 147 of the podcast is the first in a two-part special focusing on C.S. Lewis’ Chronicles of Narnia book series originally published between 1950 and 1956, where Chris and Alex look at a handful of screen adaptations that traverse the fantasy and animation intersection. For this first instalment, they compare the 1979 animated film The Lion, the Witch and the Wardrobe directed by Bill Melendez with the BBC serial of the same name from 1988, both of which adapted Lewis’ first and perhaps best known Narnia novel. Joining them is special guest Terry Lindvall, who is the C.S. Lewis Endowed Chair in Communication and Christian Thought and Professor of Communication at Virginia Wesleyan College. He is a C.S. Lewis scholar and expert in American film and media, seeking to see how theological thought, Christian faith and tradition, and cinema can intersect. His recent book crosses squarely into animation, titled Animated Parables: A Pedagogy of Seven Deadly Sins and a Few Virtues (2022), and examines how short animated films teach us, directly and indirectly, about vice and virtue, connecting together a range of global cartoons to explore the animators' role in displaying the seven deadly sins. Listen as they discuss distinctions between the marvellous and the uncanny, and how fantasy shaped Lewis’ life and works; his relationship with J.R.R. Tolkien and the influence of Christianity on his brand of fantasy; traditions of limited animation and the medium’s potential status as one of ‘supposal’; shifting representations of the eponymous White Witch as both feared and fearful; and what Narnia has to say about the importance of letting children think.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #54 - Cult Cinema (with Iain Robert Smith)

Fresh from their discussion of La mujer murcielago/The Batwoman (René Cardona, 1968), Chris and Alex are once again joined by Dr Iain Robert Smith, Senior Lecturer in Film Studies at King’s College London, to undertake a 10-minute introduction to cult and cult cinema. Listen as the trio offer a closer look at the politics of ‘cult’ as a critical and cultural category; what it means to negotiate obsessive reception and fandom in the analysis of film, and the extent to which cult operates as a type of cinema; the oppositional quality of cult and its uneven relationship to the mainstream; the implied gender politics of the so-called ‘masculinity of cult’ and questions of inclusion and exclusion; and the enjoyment of both studying and taking part in the kinds of participatory cultures that have shaped the global canon of cult.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

The Batwoman (1968) (with Iain Robert Smith)

The Fantasy/Animation podcast is back with a bang thanks to the Mexican superhero caper La mujer murcielago/The Batwoman (René Cardona, 1968), a transnational twist on the famed DC character. Joining Chris and Alex to discuss intellectual property, international adaptation, and the politics of the remake is Dr Iain Robert Smith, Senior Lecturer in Film Studies at King’s College London. Iain’s research focuses on the ways in which material is adapted across different national contexts, including what happens when Hollywood films are remade by (and for) other cultures. These areas were central to his monograph The Hollywood Meme: Transnational Adaptations in World Cinema (EUP, 2016), and developed further in the anthologies Media Across Borders (with Andrea Esser and Miguel Bernal-Merino, Routledge, 2016) and Transnational Film Remakes (with Constantine Verevis, EUP 2017). Topics for this episode include the postwar history of unlicensed remakes; critical approaches to remaking and imitation through strategies of appropriation and localisation; The Batwoman’s status as a Mexican lucha libre film; budget filmmaking, non-cinema, and the spectacle of different kinds of visual effects; and what René Cardona’s superhero feature has to say about how the industry of the transnational remake helps us make sense of U.S. cultural power and imperialism.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #53 - Star Voices

The Fantasy/Animation podcast takes listeners on a journey through the intersection between fantasy cinema and the medium of animation. Available via Apple Podcasts, Spotify and many of your favourite podcast hosting platforms!

The Fantasy/Animation Footnotes return with this reflection on the star voice as both an industrial trend within contemporary animation production and as an object of critique often assumed to nothing more than novelty leaned on too heavily to ‘sell’ animation as an entertainment medium. Chris takes the lead for this discussion of the potency and power of star sound, with topics including the longstanding history of star voicework across popular animated film and television, and the forceful emergence of the celebrity voice within the landscape of 1990s animation; the authenticating properties of the star and their possible function as a legitimising force; questions of labour and the relationship between the star and the trained voice artist; and how animators can tap into a star persona through character design to enhance or subvert their otherwise hidden vocal presence.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Bride of Frankenstein (1935) (with David Sandner)

This year’s Halloween special of the podcast goes back to 1930s Hollywood with this look at Bride of Frankenstein (James Whale, 1935), the follow-up to Universal Pictures’ 1931 feature Frankenstein also directed by James Whale. To discuss the horror and humour of this most monstrous and macabre sequel, Chris and Alex are joined by special guest David Sandner, author and editor of multiple works on fantasy literature and a Professor at California State University. David has published widely on histories of fantasy, including the books The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-century Children's Fantasy Literature (Westport, 1996) and Critical Discourses of the Fantastic, 1712-1831 (Routledge, 2011), alongside the edited collections Fantastic Literature: A Critical Reader (Praeger, 2004) and The Treasury of the Fantastic with Jacob Weisman (Tachyon, 2013). Topics for this spooky instalment include the film’s status as a work of fantasy and horror, and the framing of Frankenstein’s original author Mary Shelley as a practitioner of the fantastic; early cartoon exhibition practices, the notion of “theatre animation,” and the influence of the twentieth century’s pervasive culture of animation on Bride of Frankenstein’s special effect technologies; questions of adaptation and the new invitations to fantasise made by director James Whale; the film’s self-reflexivity around film production; links between size and the sublime, and how an uncanny portrayal of homunculi sites the film’s story within screen histories of the miniature; and how Bride of Frankenstein negotiates a pleasure in agency, creation, reanimation, and restoration.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #52 - Rhetorics of Fantasy

The Fantasy/Animation Footnotes continue with this latest examination of the many ‘rhetorics’ of fantasy that account for the mechanics by which fantasy writers can and do achieve their fantastical effects. Drawn from Farah Mendlesohn’s influential work on fantasy literature Rhetorics of Fantasy (2008), this Footnote has Alex reflect on the categorisation of fantasy and the value of Mendlesohn’s self-declared “tour around the skeletons and exoskeletons of the genre” to distinguish and divide kinds of storytelling practices; the distinctions between intrusive, immersive, portal quest, and liminal fantasy stories, and what these modes mean for narrative structure, world-building, rules, and characterisation; the disruptions that fantasy makes to a world that is ‘already known’ and the game it plays with our assumptions of mimetic fiction; and the way that Mendlesohn’s typology of fantasy illuminates both the way that the genre’s stories are told and the address that these narratives make to the spectator.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Monsters, Inc. (2001) (with John Airlie)

The Fantasy/Animation podcast continues its involvement with the work of Pixar Animation Studios in this closer look at the computer-animated film Monsters, Inc. (2001) featuring Chris and Alex’s first guest of the new season John Airlie, Associate Lecturer in Film and Media at Birkbeck University in London. Not only has John has taught courses across higher education related to gender and sexuality, but has, in his own words, also toiled in the world of publishing and book distribution. He now works for one of the major U.S. film companies in London, where he specialises in post production (localisation/dubbing) for international markets. Topics include the role of the voice in character animation and international dubbing practices as a form of adaptation; the interplay between the dubbed voice and stardom, and what it means for culturally-specifically stars to ‘match’ the physicality of an ‘original’ animated body; contemporary Hollywood animation and celebrity voicework; the politics of the animated cameo; and what Monsters, Inc. has to say about the power of the child’s voice.

**Fantasy/Animation theme tune composed by Francisca Araujo**

Footnote #51 - Cinema and the City

The Fantasy/Animation Footnotes return with this consideration of the many relationships that cinema can have with - and to - the city. Building on their recent episode on Ratatouille (Brad Bird, 2007), Chris and Alex reflect on those scholars who have placed cinema in dialogue with issues related to space, urban design, and sociology, and who ask questions about how a city is represented onscreen, how its spaces are organised and mapped, and the stakes of re-animating a ‘real’ space to transform an otherwise authentic and accessible locale. Topics include how cities can and do become different through their rendition via animation and fantasy; cinephilic cinema cultures that unfold within urban spaces; filmmaking as a form of tourism and the spectacle of the touristic gaze; and the fictionalising of real cities to create an imagined and imaginary place.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**