Fantasy/Animation

Archive Episode - Space Jam (1996) (with Paul Wells)

To mark the return of the Fantasy/Animation archive instalments, Chris and Alex once more delve into the podcast’s back catalogue for this relisten of Episode 70 and their discussion of Space Jam (Joe Pytka, 1996), which featured very special guest Professor Paul Wells, Director of the Animation Academy at Loughborough University. Listen again at their analysis of Space Jam as emblematic of animation’s longstanding relationship with sport; the nostalgic callbacks that the film makes to Golden Age Hollywood stardom; sport, drama, metaphor, and society; Space Jam’s soundtrack and negotiation of black celebrity identities; and how Joe Pytka’s film provides the spectacle of stylistic hybridity through the lens of NBA basketball.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #65 - Pervasive Animation

The current cultural “pervasiveness” of animated media and the medium’s durable status as a vital intermediary between ‘us’ and ‘the world’ is the focus of this latest Footnote episode, which tackles “Pervasive Animation” as it has been understood within Suzanne Buchan’s 2013 anthology of the same name. Chris takes Alex through the requisite methodological challenges, considerations, and conundrums when looking at animation’s many forms within contemporary moving image culture, as well as what Buchan says about the need to push animation’s multiplicity of definitions towards aesthetic and critical intersections with everything from fine art and sculpture to videogames and medical imaging. Other topics include what this critical re-conceptualisation means for the variant sites, spaces, and interfaces of animation beyond the screen; how interdisciplinarity can critically account for the “pervasive” spread of animation and the possibility of academically studying the medium outside Film and Media Studies; and what all this means for animation itself as a complex and chaotic scholarly object.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

The Lord of the Rings: The Rings of Power (Patrick McKay & J.D. Payne, 2022-) (Live @ PCA 2025)

This podcast special was recorded live at the recent Popular Culture Association Conference in New Orleans, USA, April 2025, where Alex was delighted to be asked to participate in a roundtable discussion on Amazon’s prequel series The Lord of the Rings: The Rings of Power (Patrick McKay & J.D. Payne, 2022-). In a detour from our usual format, Alex is without Chris but joined by two fellow panelists, Alicia Fox-Lenz and Tim Lenz (both stewards of the Mythopoeic Society), alongside an enthusiastic room full of popular culture scholars taking part in a freewheeling and open discussion about the show. Listen for conversations on world-building, adaptation, concerns over representation in relation to the show’s depiction of race, gender, and sexuality, and plenty more.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #64 - The Golden Age of Animation

Fresh from last week’s discussion of Mickey Mouse, Chris and Alex are once again joined by Dr David McGowan (Lecturer in the Contextual and Theoretical Studies of Animation at the University of the Arts London) to map the mythology of the Golden Age of Animation, and in particular how this phase of the medium’s history has been framed in relation to the cartoon’s move from silent to sound technology but also its emergent stability and security as an industrial art form. Listen as they cover animation’s artistic recognition, questions of distribution, and the economic dominance of the major players in Hollywood cartoon production; the precise terms of ‘golden’ as a descriptor for the business of U.S. commercial animation, but also how alternate histories and representations suggest its limits for certain studios and identities; technological innovation, Disney-level aesthetic qualities, and the solidification of ‘full animation’; and the sentimentality afforded to the Golden Age as a period defined as much by dead ends as the heralding of animation’s growing prestige and ambition.

Mickey Mouse (with David McGowan)

For this new episode of the podcast, Chris and Alex try and do justice to the global stardom of perhaps the most famous animated character of them all - Mickey Mouse. They are joined by Dr David McGowan, who is Lecturer in the Contextual and Theoretical Studies of Animation at the University of the Arts London, as well as author of Animated Personalities: Cartoon Characters and Stardom in American Theatrical Shorts (Austin: University of Texas Press, 2019), to explore Mickey’s enduring celebrity both on and off the animated screen as well as contradictory elements to his stardom that supported his move from cartoon protagonist to animated icon. Listen as the trio discuss Mickey’s shifting star persona and performance style across the three shorts The Karnival Kid (Walt Disney & Ub Iwerks, 1929), Mickey Steps Out (Burt Gillet, 1931), and Clock Cleaners (Ben Sharpsteen, 1937) to map the character in relation to several topics, including cartoon aesthetics and Disney animation’s shift from plasmaticness to hyper-realist registers of representation; romance narratives and the extra-textual coupling of Mickey with Minnie Mouse; the cartoon’s move away from self-reflexivity towards the rounding out of “personality animation”; Mickey’s musicality and modernity, as well as the character’s similarities to Felix the Cat and other animated celebrities of the period; and how Mickey’s links to values of sincerity, intimacy, and humanity perfectly position him as the quintessential animated star.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #63 - The Censored Eleven

Chris and Alex take a look at animation’s historical and troubling relationship to race with this examination of the Censored Eleven, a collection of controversial Looney Tunes and Merrie Melodies cartoons produced during the 1930s and 1940s removed from syndication since 1968 for their inclusion of harmful and offensive racist stereotypes. Topics include histories of animating the other, identity, and experience within the medium and legacies of minstrelsy performance; the visibility of Black culture and jazz-based parodies like Bob Clampett’s Coal Black and de Sebben Dwarfs (1943) against more hidden (and no less damaging) iconographies within cartoon representation; and what it means to confront such legacies of racism within the critical study of animation, and if erasing any and all mention of the Censored Eleven pretends that racism in Hollywood did not exist.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Rise of the Guardians (2012)

To mark the Easter break, Fantasy/Animation crack open Rise of the Guardians (Peter Ramsey, 2012), the 2012 computer-animated film produced by DreamWorks Animation studio and a Hollywood blockbuster adapted from the children’s book series by William Joyce. Something of a box-office failure and a film that prompted an $87 million loss for DreamWorks, Rise of the Guardians is, as Chris and Alex suggest, certainly a complex and uneven effort that nonetheless incorporates some intriguing animated elements as part of its tale of belief and wonder. Listen as they map the film’s place as entry number 19 within the expanding DreamWorks canon and how it emerged at a crucial moment in their own corporate expansion; the characters of Jack Frost, Santa Claus, the Easter Bunny, Sandman, and Pitch Black as renditions of different types of animation; drawing, artistry, and the Frozen-esque spectacle of cryokinesis; and how Peter Ramsey’s film narrativises the value of what it means for children to believe in fantasy.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #62 - Object Relations

The Fantasy/Animation Footnotes complete their unofficial ‘psychoanalysis trilogy’ with this look at object relations and a branch of psychoanalytic approaches to film that emerged as a competing way of thinking about cinema linked to the development of the conscious minds of children. Listen as Alex takes Chris through the contributions of the British Psychoanalytical Society and the influential work of Melanie Klein and D. W. Winnicott; the value of unconscious fantasies, creativity, and what it means to theorise play; cinema as a potentially “transitional” (and cultural) object that we can use to fantasise with; using object relations theory to think about what kind of object a film might be, and the specificity of fantasy filmmaking as ‘extra transitional’; and what a focus on objects says about how children can and do formulate relationships to the world.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Up (2009) (with Tom Brown)

Chris and Alex are back in the warm embrace of Pixar Animation Studio, looking at their tenth computer animated film Up (Pete Docter, 2009) - a real high point in the company’s run of critically and commercially successful animated features, and a film that comes almost at the midway point between Pixar today their debut with Toy Story (John Lasseter, 1995) 30 years ago. To discuss whether adventure really is ‘out there,’ they are joined by special guest Dr Tom Brown, Senior Lecturer in Film Studies at Kings College London. Tom is the author of the monographs Spectacle in “Classical” Cinemas: Musicality and Historicity in the 1930s (2016) and Breaking the Fourth Wall: Direct Address in the Cinema (2012), as well as co-editor of The Biopic in Contemporary Film Culture (2014), Film Moments: Criticism, History, Theory (2010) and Film and Television After DVD (2008). Topics for this episode include how Pixar’s computer-animated work can be understood according to a “classical” register via its meaningful construction and solidity of animated space; computer-animated staging and how meaning is carried in the studio’s expressive use of mise-en-scène; Up as a stylistic ‘sweet spot’ between photorealism and caricature; links between Pixar and both Classical Hollywood filmmakers like Frank Capra and the category of the middlebrow; what it means to be imprisoned by time in fantasy storytelling; and what Up’s particular combination of the silly and the profound has to say about the weight of grief.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**

Footnote #61 - The Gaze

The Fantasy/Animation Footnotes return to psychoanalysis in order to make sense of the world through gazing and gaze theory. Alex once again takes the lead in discussing Laura Mulvey’s seminal work on the gaze but also how it offers just one way of thinking about the topic, drawing instead on Lacanian psychoanalysis to distinguish between the qualities of looking and gazing. Topics include the conscious and unconscious processes involved in Lacan’s ‘mirror stage’; the politics of cinema and the illusion of mastery; how the gaze both affirms identity through our engagement with the cinematic object and emerges as something not that we have but that we react to; and how ‘gazing’ represents a way of seeing the world through the paradigm of consciousness, concepts, and ideas.

**Fantasy/Animation theme tune composed by Francisca Araujo**

**As featured on Feedspot’s 25 Best London Education Podcasts**